Capital Celluloid 2019 - Day 93: Wed Apr 3

Only Angels Have Wings (Hawks, 1939): BFI Southbank, NFT2, 6.10pm



This 4K restoration of the classic Howard Hawks film, which is also being screened on April 28th and 29th, is introduced tonight by critic and BFI programmer-at-large Geoff Andrew. The film is part of the Big Screen Classics season. Full details here.

Only Angels Have Wings, is a major American movie and a pivotal film in the great Howard Hawks's career. Indeed, Robin Wood, in his BFI book on Hawks, describes the movie as a "completely achieved masterpiece". Cary Grant leads a group of pilots who regularly take their life in their hands flying mail planes across the Andes. They are joined by a sparky Jean Arthur, who drops in for a steak but fascinated by the life and times of Grant's team stays on and witnesses the adventures of one of Hawks's archetypal male groups. Only Angels Have Wings mixes tragedy and comedy in typical Hawks style and has an atmosphere all its own.

Chicago Reader review:
Howard Hawks's 1939 film represents the equilibrium point of his career: the themes he was developing throughout the 30s here reach a perfect clarity and confidence of expression, without yet confronting the darker intimations that would haunt his films of the 40s and 50s. The setting is a South American port where a group of fliers, led by Cary Grant, challenges the elements nightly by piloting mail across a treacherous mountain range. This all-male existential ritual (Grant almost seems the high priest of some Sartrean temple) is invaded by an American showgirl (Jean Arthur) who stops off for a steak and remains, fascinated by the heightened, heady atmosphere of primal struggle. The film's moral seriousness (which sometimes approaches overt didacticism) is balanced by the usual Hawks humor and warmth, and as Grant and Arthur are drawn into a romance, the film moves toward a humanistic softening of its stark premises.
Dave Kehr


Here (and above) is the trailer.

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