Capital Celluloid 2026 — Day 289: Sun Oct 18

I See Buildings Fall Like Lightning (Barnard, 2026): Curzon Soho, 12pm/BFI Southbank, 11.30am

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 12

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at BFI Southbank on Friday October 16th. Details here.

BFI introduction:
Adapted from Kieran Goddard’s novel, this intoxicating yet compassionate film by the director of The Selfish Giant and Ali & Ava is propelled by a superb ensemble cast and the euphoric pulse of club music. As moments of youthful joy gradually give way to disillusionment, the film offers a piercing portrait of contemporary Britain, exposing exploitative social structures and widening inequality as forces that have deeply marked its characters’ lives.
Hyun Jin Cho

Here (and above) is an extract.

Capital Celluloid 2026 — Day 289: Sat Oct 17

Paper Story (Gray, 2026): Prince Charles Cinema, 3pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 11

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at Southbank Centre, Royal Festival Hall on Saturday October 10th and Sunday 11th. Full details here.

BFI introduction:
Irwin Pearl (Miles Teller, on top form) is an engineer and family man living in Queens. When his brother, a showboating ex-police officer (a magnetic Adam Driver), enlists him for a high paying job, things rapidly take a turn for the worse. Channelling the spirit of Sidney Lumet and Michael Mann, Gray’s own, distinctive directorial style is on full display in this instant classic of American crime cinema.
Diana Cipriano

Here (and above) is the trailer.

Capital Celluloid 2026 — Day 288: Fri Oct 16

 Panelstory (Chytilova, 1979): BFI Southbank, NFT3, 6.35pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY10

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

BFI introduction:
A tragicomic gallery of characters composes this satirical fresco of a hellish housing estate. In this dysfunctional, endless chaos, people try to get on with their lives amongst the rubble and the mud of this new socialist nightmare. After being blacklisted for years, Věra Chytilová returns to her radical style with a film that still resonates in a society of individuals living in crowded isolation.
Giulia Saccogna

Here (and above) is the trailer.

Capital Celluloid 2026 — Day 287: Thu Oct 15

La Dérive (Delsol, 1964): BFI Southbank, NFT3, 8.45pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 9

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

BFI introduction:
Jacquie, a beautiful 20-year-old, experiences various encounters with men in the south of France, where she returns to her family after leaving Paris. A young woman becoming the target of male predators is always a relevant topic. It’s presented here with a fresh approach: Jacquie is an unburdened wanderer rather than a desperate one, and her search for independence inebriating and joyful.
Giulia Saccogna

Here (and above) is an extract. 

Capital Celluloid 2026 — Day 286: Wed Oct 14

Mouse (O'Sullivan/Thompson, 2026): Vue West End Epic 2, 8.30pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 8

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at the prince Charles Cinema on October 16th. Details here.

Lifelong friends Callie and Minnie are like ying and yang: one loud and popular, the other shy and quiet. Abruptly forced out from her friend’s shadow, it’s finally time for Minnie to figure out who she is on her own terms. Kupferer and Okonedo’s performances drive this beautiful film that’s guaranteed to have audiences alternating between crying and laughing out loud.
Grace Barber-Plentie

Here (and above) is the trailer. 

Capital Celluloid 2026 — Day 285: Tue Oct 13

The Meltdown (Martelli, 2026): Vue West End Epic 1, 8pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 7

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at Curzon Soho on October 14th. Details here.

BFI Southbank introduction:
It is 1992 and while watching the comings and goings in her family’s hotel, nine-year-old Inés befriends Hanna, one of the German skiers training in the area. When Hanna goes missing, Inés observes the local community closing ranks without quite understanding what is happening. Focussing on what lies unsaid, Martelli (1976, LFF 2022) expertly captures the tensions of a society as it transitions to democracy.
Maria Delgado

Here (and above) is the trailer. 

Capital Celluloid 2026 — Day 284: Mon Oct 12

Clarissa (Arie and Chuko Esiri, 2026): Vue West End Epic 1

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 6

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at BFI Southbank on October 13th and 17th. Full details here. 

BFI introduction:
It’s the day of Clarissa’s garden party. Just as she’s set to reunite with old friends, she finds herself reflecting on a summer that shaped the course of their lives. Virginia Woolf’s beloved novel is the jumping-off point for this rich and captivating look at class and gender in contemporary Nigerian society.
Grace Barber-Plentie

Here (and above) is the trailer.