Capital Celluloid

Tony Paley's daily guide to the best film screening in London today. Follow me on X at @tpaleyfilm and on Bluesky at @tpaleyfilm.bsky.social

Capital Celluloid 2026 — Day 161: Wed Jun 10

›
Barren Lives (Santos, 1963): BFI Southbank, NFT1, 6.10pm This film, part of the Brazilian film season at BFI Southbank , is introduced by D...

Capital Celluloid 2026 — Day 160: Tue Jun 9

›
  Latin Quarter (Sewell, 1945): BFI Southbank, NFT2, 6.10pm This 35mm screening is part of the 'Projecting the Archive' strand at B...

Capital Celluloid 2026 — Day 159: Mon Jun 8

›
Gentlemen Prefer Blondes (Hawks, 1953): BFI Southbank, NFT1, 6.10pm This film, part of the Marilyn Monroe season at BFI Southbank , also sc...

Capital Celluloid 2026 — Day 158: Sun Jun 7

›
Ugetsu (Mizoguchi, 1953): Prince Charles Cinema, 3.15pm Chicago Reader review: The mood of Kenji Mizoguchi’s 1953 masterpiece is evoked by ...

Capital Celluloid 2026 — Day 157: Sat Jun 6

›
Butch Cassidy and the Sundance Kid (Hill, 1969): BFI Southbank, NFT1, 6pm This film, which also screens on June 1st and 26th, is in the Big...

Capital Celluloid 2026 — Day 156: Fri Jun 5

›
The Misfits (Huston, 1961): BFI Southbank, 2.30pm; 6pm & 8.35pm This film, the centrepiece of the Marilyn Monroe season at BFI Southban...

Capital Celluloid 2026 — Day 155: Thu Jun 4

›
Till We Meet Agai n (Borzage, 1944): BFI Southbank, NFT2, 6.30pm BFI introduction for UK premiere of digital restoration: When a US plane is...
‹
›
Home
View web version

About Me

Capital Celluloid
Digital news editor at Guardian sport and contributor to Guardian Film. You can follow me on twitter at @tpaleyfilm
View my complete profile
Powered by Blogger.