TAKE YOUR PICK
1 White of the Eye (Cammell, 1987): Prince Charles Cinema, 6.30pm
THE HORROR SHOW VOD service launches Friday 14th June and to celebrate there will be an exclusive launch event at the Prince Charles cinema tonight.
Kim Newman (keeper of Empire Magazine’s video dungeon and author of Nightmare Movies) will introduce his own selection of a very rare 35mm screening of Donald Cammell’s classic serial killer horror WHITE OF THE EYE
There will also be a short film accompaniment; HIM INDOORS starring League of Gentleman’s Reece Shearsmith, introduced by director Paul Davis, and horror-themed stand-up comedy from Perfect Movie host Richard Sandling (winner of So You Think You’re Funny in 2007).
The Guardian’s Damon Wise will be conducting on-stage interviews with Kim Newman as well as with Him Indoors director Paul Davis.
Time Out review:
Donald Cammell transforms a stalk'n'slash thriller into a complex, cubist
kaleidoscope of themes and images. Paul and Joan White (Keith and
Moriarty) lead a happy enough life in a quiet Arizona mining town, until
Paul suddenly finds himself chief suspect in a police investigation of a
series of violently misogynistic murders. Matters are complicated by
the reappearance of Joan's gun-crazy ex-husband (Rosenberg). A
determinedly offbeat murder mystery, delving into dotty Indian mysticism
and throwing up symbols, red herrings, and Steadicam flourishes for the
asking, this nevertheless remains oddly effective. Imbued with a
brooding, oppressive atmosphere and coloured by vivid performances,
though often murkily motivated, it is genuinely nightmarish in its
portrait of relationships where love is blinding and the past casts an
intolerably heavy spell.
Here is the trailer.
2 Solaris (Tarkovsky, 1972): Renoir Cinema, 7.30pm
This is the latest screening from the A Nos Amours film club, a collective founded by film-makers Joanna Hogg and Adam Roberts dedicated to programming over-looked, under-exposed or especially potent cinema.
Here is their introduction: This time À Nos Amours presents a 35mm screening of Solaris by Andrei Tarkovsky (1972), which will be introduced by novelist, essayist, journalist Will Self.
Takovsky’s adaptation of Stanislaw Lem’s novel takes the premise of a
powerful force on a distant planet that can materialise dreams and
memories and creates from it a remarkable work of cinema. There are no
monsters from any ‘beyond’ here: the truths Tarkovsky and the crew
discover are folded from life, regret and consciousness itself.
Chicago Reader review:
Although Andrei Tarkovsky regarded this 1972 SF spectacle in 'Scope as
the weakest of his films, it holds up remarkably well as a soulful
Soviet “response” to 2001: A Space Odyssey, concentrating on the
limits of man's imagination in relation to memory and conscience. Sent
to a remote space station poised over the mysterious planet Solaris in
order to investigate the puzzling data sent back by an earlier mission, a
psychologist (Donatas Banionis) discovers that the planet materializes
human forms based on the troubled memories of the space
explorers—including the psychologist's own wife (Natalya Bondarchuk),
who'd killed herself many years before but is repeatedly resurrected
before his eyes. More an exploration of inner than of outer space,
Tarkovsky's eerie mystic parable is given substance by the filmmaker's
boldly original grasp of film language and the remarkable performances
by all the principals. In Russian with subtitles. 165 min.
Here is an extract.
I am Dora, in partnership with City Screen, are pleased to announce their fifth edition.A subjective and personal study, I am Dora explores how and why women identify with one another and what this means when the identification is with a flawed or misunderstood character.
Part 5 is guest curated by British filmmaker Tinge Krishnan. Tinge is a BAFTA winning short filmmaker who made her feature debut in 2011 with Junkhearts, a London set psychological thriller.
Tinge has chosen Jonathan Kaplan’s "The Accused", starring Jodie Foster who won her first best actress Academy award for her performance as Sarah Tobias, the target of a brutal gang rape. Praised at the time of release for it’s frank depiction of rape, it’s confronting portrayal of attitudes to female victims of sexual violence is still fiercely relevant.The film will be screened at the Hackney Picturehouse and will be followed by an onstage discussion between Tinge and I am Dora founder Jemma Desai. The event will be accompanied with limited run film notes, written by Tinge and Jemma, and designed by Claire Huss.
More information on the I Am Dora Facebook page here.
Chicago Reader review:
Something of a first, this is a serious movie about rape, and as such might be said to represent penance of a sort for the crude milking of antifeminist sentiments in the previous film of producers Sherry Lansing and Stanley R. Jaffe, Fatal Attraction. Sarah Tobias (Jodie Foster) is gang-raped in a bar, and deputy district attorney Katheryn Murphy (Kelly McGillis) agrees to take her case. A courtroom drama with certain faint echoes of Anatomy of a Murder and the more recent Nuts (the latter of which had the same screenwriter, Tom Topor), this attention holder explores such issues as the public's received ideas about rape and the question of ultimate responsibility without ever stacking the deck or being unduly preachy; and director Jonathan Kaplan, who previously gave an edge to Over the Edge, guides things along capably. Not a brilliant film, but an intelligent and thoughtful one that builds to an effective climax, with an exceptional performance by Foster.
Here is the trailer.