Capital Celluloid 2024 — Day 202: Tue Jul 23

Down By Law (Jarmusch, 1986): Prince Charles Cinema, 6pm


This film, which also screens on August 8th, is part of the Jim Jarmusch season at the Prince Charles Cinema. Full details here.

Time Out review:
Reissued in a new digital print, Jim Jarmusch’s deliciously deadpan third feature (first released in 1986) looks more than ever like a milestone in American independent cinema. Though not bound to the intellectual angst of Cassavetes, the anti-authoritarian anger of ‘Easy Rider’ or the aloofness of European art cinema (yet clearly influenced by all three), Jarmusch proved DIY film could be heartfelt, charming, wise and silly all at the same time. On a sweaty night in New Orleans, three mismatched oddballs – DJ Zack (Tom Waits), hipster pimp Jack (John Lurie) and stray Italian tourist Roberto (Roberto Benigni) – are banged up for a variety of perceived misdemeanours. Trapped together in a tiny cell, the men must learn to deal with each other’s shortcomings. The claustrophobic setting and semi-improvised tone might suggest something closer to sitcom than cinema (had Jarmusch seen ‘Porridge’?), but Robby Müller’s stately monochrome photography single-handedly lifts it into the realm of Proper Art. It’s a sad and beautiful world indeed.
Tom Huddleston


Here (and above) is the trailer.

Capital Celluloid 2024 — Day 201: Mon Jul 22

They Shoot Horses, Don’t They? (Pollack, 1969): BFI Southbank, NFT3, 8.35pm


This film is part of the Discomfort Movies season and is also screening on July 9th.

Chicago Reader review:
The hopelessness of human life as represented by a marathon dance contest in the darkest 30s. The material is simple and irresistible, and Sydney Pollack stages it well (though without transcending the essential superficiality of his talent). Jane Fonda offers the first signs that she inherited something more than her father’s jawline, and Gig Young is reborn as a character actor. With Susannah York, Michael Sarrazin, Red Buttons, Bonnie Bedelia, and Bruce Dern.
Dave Kehr

Here (and above) is the trailer.