What better way to mark a tribute to the late Harold Ramis. Groundhog Day than watching a Groundhog Day double-bill . . . What better way to mark a tribute to the late Harold Ramis than watching a Groundhog Day double-bill . . . What better way to mark a tribute to the late Harold Ramis than watching a Groundhog Day double-bill . . . as a tribute to the late Harold Ramis.
New Statesman film critic, Ryan Gilbey, has written a BFI Modern Classics monograph on Groundhog Day which I can highly recommend. Here is an extract from a feature he wrote for the Observer on the film:
'[Groundhog Day] has emerged as one of the most influential films in modern cinema - and not only on other movies. Tony Blair did not refer to Jurassic Park in his sombre speech about the Northern Ireland peace process. Dispatches during the search for weapons of mass distraction made no mention of Mrs Doubtfire . And the Archbishop of Canterbury neglected to name-check Indecent Proposal when delivering the 2002 Richard Dimbleby Lecture. But Groundhog Day was invoked on each of these occasions.
The title has become a way of encapsulating those feelings of futility, repetition and boredom that are a routine part of our lives. When Groundhog Day is referred to, it is not the 2 February celebration that comes to mind, but the story of a cynical TV weatherman, Phil Connors, played by Bill Murray, who pitches up in Punxsutawney to cover the festivities. Next morning, he wakes to discover it's not the next morning at all: he is trapped in Groundhog Day. No matter what crimes he commits or how definitively he annihilates himself, he will be returned to his dismal bed-and-breakfast each morning at 5.59am . . .'
Here all the Ned Ryerson scenes, here are all the Ned Ryerson scenes, here are all the Ned Ryerson scenes . . .
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