This 70mm presentation, from an unrestored print, is on an extended run at the Prince Charles Cinema from September 30th. Full details here.
"For the first time since the original release, this
70mm print was struck from new printing elements made from the original camera
negative. This is a true photochemical film recreation. There are no digital
tricks, remastered effects, or revisionist edits. This is the unrestored film -
that recreates the cinematic event that audiences experienced fifty years
ago." - Christopher Nolan
Time Out review:
Both ‘Interstellar’ and ‘Gravity’ took us out of this world, but the reputation of Stanley Kubrick’s classic – now re-released – is safe. It’s not that ‘2001: A Space Odyssey’ doesn’t look dated – it does, a bit – but it remains as intelligent and provocative as ever, bearing years of conceptual dreaming. Until today’s equivalent of novelist Arthur C Clarke commits a hefty chunk of time to envisioning the beginning of human civilisation, as well as the far future, there will be no new film to supplant it. Though it was showered with praise for its technical achievements, ‘2001’ lingers more potently in the mind as a tall, black riddle: where are the new bones, the new tools, that will take us higher? Douglas Rain’s clammy voice work as Hal 9000, the murderous machine, remains one of Kubrick’s snazziest pieces of direction.
Joshua Rothkopf
Here (and above) is the trailer.
Both ‘Interstellar’ and ‘Gravity’ took us out of this world, but the reputation of Stanley Kubrick’s classic – now re-released – is safe. It’s not that ‘2001: A Space Odyssey’ doesn’t look dated – it does, a bit – but it remains as intelligent and provocative as ever, bearing years of conceptual dreaming. Until today’s equivalent of novelist Arthur C Clarke commits a hefty chunk of time to envisioning the beginning of human civilisation, as well as the far future, there will be no new film to supplant it. Though it was showered with praise for its technical achievements, ‘2001’ lingers more potently in the mind as a tall, black riddle: where are the new bones, the new tools, that will take us higher? Douglas Rain’s clammy voice work as Hal 9000, the murderous machine, remains one of Kubrick’s snazziest pieces of direction.
Joshua Rothkopf
Here (and above) is the trailer.
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