Chicago Reader review:
Laurence Olivier gives one of his most affecting screen performances in Tony Richardson's 1960 film about a seedy song-and-dance man on the seaside-resort circuit whose selfishness and nastiness ruin the lives of everyone around him. Excellent support from Alan Bates, Albert Finney, and Joan Plowright, but Richardson's direction drags more than a bit; adapted by John Osborne and Nigel Kneale from Osborne's play.
Don Druker
Here (and above) is an extract.
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