In parallel to Aperture Asia & Pacific Film Festival's focus on Taiwanese cinema, Close-Up Cinema Is presenting a programme of thirteen films, by three masters of Taiwanese New Cinema, set in and around Taipei throughout the 20th and 21st Century. Full details here. This film, also being shown on June 29th, gets a 35mm screening.
Chicago Reader review:
The three episodes of Hou Hsiao-hsien's exquisite 2005 feature, his best in many years, are set achronologically in Taiwan, in 1966, 1911, and 2005; each is about 40 minutes long and stars Chang Chen and Shu Qi. The structure may make the film sound like Hou's greatest hits, echoing not only his trilogy about Taiwan in the 20th century (City of Sadness, The Puppet Master, and Good Men, Good Women) but the nostalgia about adolescence in A Time to Live and a Time to Die, the ritzy period bordello in Flowers of Shanghai, and the contemporary club scene in Millennium Mambo (which also starred Shu). But it's the intricate formal and thematic relation of the three parts that defines the film's beauty and makes it such a passionate meditation on youth, love, and freedom in relation to history. The ironic Chinese title translates as "The Best of Times."
Jonathan Rosenabum
Here is the sublime opening to the film.
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