The Passionate Stranger (Box, 1957): BFI Southbank, NFT1, 8.30pm
This film (also screening on May 18th and 30th) is part of the Muriel Box retrospective at BFI Southbank. You can find all the details of the season here. Tonight's screening is introduced by director Caorl Morley.
BFI review:
With The Passionate Stranger, romantic fiction is the target of the satire: Italian handyman Carlo (Carlo Giustini) is employed by an affluent Home Counties couple: wheelchair-bound scientist Roger Wynter (Ralph Richardson) and his wife Judith (Margaret Leighton),
a successful novelist suffering a bout of writer’s block. Carlo’s
arrival gets Judith’s creative juices flowing and she quickly produces a
lurid potboiler in which Carlo and her fictional surrogate enjoy an
illicit affair and plot to bump off her inconvenient spouse. When Carlo
starts reading the manuscript around the 20-minute mark, the film goes
into the fictional universe – and switches from black and white to
colour – retelling the whole of Judith’s novel in a rapid-fire 45
minutes. After this, back in monochrome ‘reality’, Carlo now erroneously
interprets the novel as a statement of Judith’s true feelings – with
amusingly farcical consequences. The collision of heightened fantasy and the humdrum realities of 1950s Britain recall the comic peaks of Preston Sturges’ Unfaithfully Yours
(SSIFF’s 2003 retrospective showcased all of the films Sturges wrote or
directed). But Box’s picture is really a true original, one of the most
fascinatingly complex and accomplished British films made up to that
point. Its status as a forgotten curio now seems as inexplicable as it
is unjust: if the San Sebastian Box focus yields no other consequence
than the rediscovery of The Passionate Stranger, the retrospective will
have been emphatically worthwhile.
Neil Young
Here (and above) is the trailer.
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