Capital Celluloid 2025 — Day 115: Sat Apr 26


This film, part of the Claude Chabrol season at Cine Lumiere, will be followed by a discussion with Prof. Antoine de Baecque (author of the biography Chabrol, Stock, 2021)

Chicago Reader review:
Claude Chabrol’s richly ironic 1969 melodrama, in which it is shown that nothing revitalizes a dried-up marriage quite like murder. Not the least of the ironies is that the point is made sincerely and responsibly: when the film’s smug, tubby hero kills his wife’s lover, he genuinely becomes a richer, worthier individual. The observation of bourgeois life (as practiced in France, where it was perfected) is so sharp and funny that the film often feels like satire, yet its fundamental seriousness emerges in a magnificent last act, and an unforgettable last shot.
Dave Kehr

Here (and above) is the trailer.

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