Les Sièges de l'Alcazar (Moullet, 1989): ICA Cinema, 6.15pm
This is part of the Luc Moullet season at ICA and this screening will be followed by an online Q&A with Moullet, hosted by Sam Warren Miell, editor of Narrow Margin.
Full programme:
Barres, (1983), 15 mins; Essai d’ouverture, (1988), 14 mins; Les Sièges de l’Alcazar, (1989), 54 mins.
ICA introduction:
The 1980s saw Luc Moullet further his experiments with short subjects. Barres (1983) and Essai d’ouverture (1988),
two of Moullet’s most beloved shorts, are both structured around
increasingly absurd variations on a single scenario. The former is an
exhaustive account of “the sole sport of Parisians”: evading the
barriers on the Paris Métro. The latter, inspired by Moullet’s own
dyspraxia, depicts the filmmaker on a lifelong journey to open stiff
Coca-Cola bottletops.
In the featurette Les Sièges de l’Alcazar (1989), Moullet returns
to the passionate cinephilia of 1950s Paris. Guy (Olivier Maltinti), a
critic for Cahiers du cinéma, is covering a retrospective of the obscure
Italian filmmaker Vittorio Cottafavi at the run-down Alcazar cinema. As
he dutifully returns each day, he begins to suspect that Jeanne
(Jacqueline Moreau), a critic from the rival magazine Positif, is
following him. Alcazar is a loving send-up of the culture from which
Moullet emerged, and one of the finest films ever made about going to
the movies.
Here (and above) is an extract.
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