Capital Celluloid 2027 — Day 32: Sun Feb 1

Sandra (Visconti, 1965): Cine Lumiere, 2pm

This film is part of the Claudia Cardinale season at Cine Lumiere. Details here.

Chicago Reader review:
The past weighs heavily on the present in this 1965 family saga by Luchino Visconti, though for much of the running time that weight is more felt than understood. Young Sandra (Claudia Cardinale) returns to her hometown in Northern Italy to dedicate a monument to her father, a Jewish scholar killed in the Holocaust. Her husband is uncomfortable with the aristocratic clan, but only near the end does Sandra’s real antagonist emerge: her stepfather, who may have betrayed the father to the Nazis and who now insinuates that Sandra and her raffish brother have a dark secret of their own. Cardinale has been criticized for her performance, which seems too emotive given the hard surfaces presented by the other players, but Visconti, shooting in black and white with cinematographer Armando Nannuzzi, subordinates all the actors to the ornate interiors of the family’s decaying mansion; as in The Leopard (1963), one senses not just the glory but the burden of wealth.
JR Jones

Here (and above) is the trailer.

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