Pierrot Le Fou (Godard, 1965): Bethnal Green Workingmen's Club, 44 Pollard Row, E2 6NB, 8pm
When this film, which will surely come to be seen as one of Jean-Luc Godard's finest, was re-released in 1989 after many years out of circulation, critic Jonathan Rosenbaum had this to say in an article in Chicago Reader : "Looking at Pierrot Le Fou again almost a quarter of a century after it was made, 20 years after its initial U.S. release, is a bit like visiting another planet; it’s an explosion of color, sound, music, passion, violence, and wit that illustrates what used to be regarded as cinema."
It's impossible to give a swift synopsis for Pierrot Le Fou in which Jean Paul Belmondo, ostensibly escaping stifling domesticity, and Anna Karina, fleeing a group of gangsters, depart Paris for the south of France suffice to say that it is brimming with ideas and scenes of extraordinary complexity. My abiding memories of seeing this the first time was of the vitality and colour - I was reminded when viewing it again last year that this was also a caustic commentary by the director on his relationship with Karina. Still, a huge treat and a film you will not forget in a hurry.
If I had to pick one excerpt it would be this one in which fellow director Sam Fuller is asked what is the meaning of cinema: "Film is like a battleground", recounts the American filmmaker. "Love, hate, action, violence, death. In one word: emotion."
This is part of a season of Godard films presented by those wonderful people at Close-Up. Here are all the details.