Roxy Bar and Screen, Borough, London Bridge. 7.30pm
The Roxy celebrates the work of British filmmaker Ben Wheatley with a double-bill screening of the recent hit thriller Kill List plus his debut feature, the critically acclaimed Down Terrace. Actor Michael Smiley, who stars in both films and won the Best Supporting Actor award at the British Independent Film Awards for his role in Kill List, will be present to introduce both films.
Time Out review of Down Terrace:
'The British gangster movie has taken a self-inflicted beating of late, but it’s not out for the count. Staying well clear of the usual parade of putdowns and punch-ups, ‘Down Terrace’ takes an unexpected approach to the genre, fusing the wry realism of Ken Loach with the blackly comic bloodlust of Ken Russell to produce perhaps the best homegrown movie of the year so far.
What director Ben Wheatley and his writing partner, Hill – veterans of TV comedy shows like ‘Time Trumpet’ – manage to achieve in ‘Down Terrace’ is a mounting, sickening sense of a world in freefall, where morality has been compromised to the point of meaninglessness and where distrust leads to murder, even within the family unit. And while this does result in a few berserk plot diversions, particularly in the final act, Wheatley and Hill establish such an oppressive mood and construct their characters so meticulously that even in its most extreme moments, the film remains engrossing, not to mention consistently funny and even, at times, rather sweet.'
Here is the trailer.
Here is the five-star Time Out review of Kill List:
'Much of ‘Kill List’ will be familiar to anyone who caught ‘Down Terrace’ during its brief run last year: the semi-improvised dialogue and naturalistic performances, the close, documentary-style photography and the deep-seated sense of suburban moral decay. But it’s altogether more confident: where the earlier film leavened the darker moments with slapstick and satire, ‘Kill List’ is an unrelentingly grim ride into the bleakest imaginable terrain, its only humour black beyond belief.
There will be some who find the resulting series of increasingly brutal and dreamlike events hard to process, and a number of plot points remain unexplained even as the credits roll. But allow the film to take hold and its power is inescapable: the effect is like placing your head in a vice and waiting as it inexorably closes.
It’s hard to remember a British movie as nerve-shreddingly effective since ‘Dead Man’s Shoes’ in 2004. Like that film, ‘Kill List’ may not make the impact it deserves upon initial release. But this is a grower, a film which lingers long in the memory: look for it on ‘Best of British’ lists for a long time to come.'
Here is the trailer.