This film, which is screening as part of the Derek Jarman season, was the second movie for which Jarman provided art direction for Ken Russell after The Devils. Savage Messiah is also being shown on February 9th when Sam Ashby will discuss Jarman's collaborations with Russell. Details here.
Here is an extract from Tribune film critic Neil Young's review:
'Vibrantly unconventional biopic, (melo-)dramatising the unorthodox relationship – more inspirational/mental than romantic/sexual – between penniless French sculptor Henri Gaudier (Scott Anthony) and a much older Polish writer Sophie Brzeska (Dorothy Tutin), in Paris and London during the early years of the 20th century. Though not all of Russell’s flashy directorial and gambits pay off, Savage Messiah has a spiky, bracing charm all its own and rivals The Elephant Man among the most convincing, scruffily evocative cinematic visions of bygone London. The air of persuasively percussive exuberance renders the sudden ending (reflecting Gaudier’s fate in the Great War’s trenches) all the more jarringly poignant: a pair of sepia-tinted stills show Anthony-as-Gaudier among his comrades-in-arms, grinning laddishly in uniform, white of tooth and muddy of face.'
You can read the review in full here.
Here (and above) is the opening.