Thursday, 17 September 2015

Capital Celluloid 2015 - Day 282: Fri Oct 9

The Forbidden Room (Maddin, 2015): BFI IMAX, 6.30pm

59th LONDON FILM FESTIVAL (7th-18th October 2015) DAY 3

Every day (from October 7 to October 18) I will be selecting the London Film Festival choices you have a chance to get tickets for and the movies you are unlikely to see in London very soon unless you go to see them at the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out by the time you read this as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is all the information you need about the best way to get tickets.

London Film Festival introduction: 
Gleeful, hypnotic and totally deranged, Guy Maddin (My Winnipeg, The Saddest Music in the World) and co-director Evan Johnson’s phantasmagoric opus screens supersize (a world first!) as our Experimenta Special Presentation at BFI IMAX. Opening with an absurd 1960s-era instructional from a pot-bellied letch on how to take a bath; rapidly segueing to a Canadian lumberjack on a mission to rescue a damsel with amnesia being held captive by cave dwelling wolf-men; and at some later point cutting to Udo Kier being lobotomised to curb his penchant for pinching derrieres; this whacked-out medley of weird tableaus travels deep under the ocean, high into the sky and far into the darkest regions of the psyche. The Forbidden Room evolved from the interactive Seances project, with Maddin as the director/medium channeling the spirits of silent films, lost to the archives, through improvised live ‘happenings’. They took place in temporary sets at Montreal’s Phi Center and The Pompidou Centre in Paris, and featured participants such as Geraldine Chaplin, Mathieu Amalric, Charlotte Rampling and Ariane Labed. Taking ‘really hideous, raw video’ and reworking all the palettes and colour-timing on over 4,000 hours of rushes, then experimenting with super-imposition and adding luridly entertaining inter-titles, The Forbidden Room is epic both as a formal filmmaking feat and a deliriously heightened cinephilic pleasure. 
Clare Stewart 

Here (and above) is the trailer. 

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