Tuesday, 17 November 2015

Capital Celluloid 2015 - Day 338: Fri Dec 4

No 1 To Die Like A Man (Rodrigues, 2009): Goethe Institute, 7pm

Chicago Reader review:
Slow but engrossing, this French-Portuguese drama (2009) focuses on a middle-aged transvestite in crisis. His career as star of a local drag show is waning, which presents him with the decision of whether to live as a man or a woman; his relationship with his young junkie boyfriend is crumbling; his silicone breast implants are infected; and his son, sexually conflicted and estranged from the father, has gone AWOL after killing a male sex partner. As turgid as all this might sound, it's elevated by cinematographer Rui Pocas, who makes poetic use of light and color, and writer-director Joao Pedro Rodriguez, whose artful blend of humor, fantasy, and religious imagery reaches past the obvious antecedent of Pedro Almodovar toward such dream weavers as Cocteau, Fellini, Fassbinder, and Tennessee Williams. In Portuguese with subtitles.
Albert Williams

Here (and above) is the trailer.


No2 A Christmas Story (Clark, 1983): Prince Charles Cinema, 9pm

A 35mm screening of this popular Christmas film in the cinema's Xmas season.

Chicago Reader review:
As a follow-up to his excoriated Porky's and Porky's II, director Bob Clark teamed with nostalgic humorist Jean Shepherd for this squeaky clean and often quite funny 1983 yuletide comedy, adapted from Shepherd's novel In God We Trust: All Others Pay Cash. The bespectacled young hero (Peter Billingsley) lives with his parents and younger brother in northeast Indiana and craves a BB gun for Christmas; the old man (Darren McGavin in one of his best roles) wins a newspaper contest and insists on displaying his prize—a table lamp shaped like a woman's leg in fishnet stockings. Shepherd provides the voice-over of the grown hero narrating, and his prominence on the sound track forces Clark to focus on visual humor, resulting in some wild Our Gang-style slapstick.
JR Jones

Here (and above) is the trailer.

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