Thursday, 24 November 2016

Capital Celluloid 2016 - Day 337: Sat Dec 3

Le Samourai (Melville, 1967): Cine Lumiere, 6pm


This film is part of the French Noir season at Cine Lumiere. Full details here.

Time Out review:
Jean-Pierre Melville's hombres don't talk a lot, they just move in and out of the shadows, their trenchcoats lined with guilt and their hats hiding their eyes. This is a great movie, an austere masterpiece, with Alain Delon as a cold, enigmatic contract killer who lives by a personal code of bushido. Essentially, the plot is about an alibi, yet Melville turns this into a mythical revenge story, with Cathy Rosier as Delon's black, piano-playing nemesis who might just as easily have stepped from the pages of Cocteau or Sophocles as Vogue. Similarly, if Delon is Death, Francois PĂ©rier's cop is a date with Destiny. Melville's film had a major influence in Hollywood: Delon lying on his bed is echoed in Taxi Driver, and Paul Schrader might have remade Le Samourai as American Gigolo. Another remake is The Driver, despite Walter Hill's insistence that he'd never seen it: someone on that movie had to have seen it.
Adrian Turner 

Here (and above) is the trailer.

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