This 35mm screening (also being shown on September 17th) is part of the David Lynch season at the Prince Charles Cinema. You can find the full details of the season here.
Chicago Reader review of Lost Highway:
It's questionable how much Barry Gifford has benefited the work of David Lynch—either in furnishing the source material for Wild at Heart or in collaborating on this even more noir-heavy script—but this 1996 feature was Lynch's most audacious break from conventional narrative since Eraserhead. The enigmatic plot, shaped like a Möbius strip, concerns a jazz musician (Bill Pullman) who inexplicably changes into a much younger garage mechanic (Balthazar Getty) after possibly killing his wife (Patricia Arquette). The wife seems to have been reincarnated as a gangster's girlfriend (Arquette again), who pursues the mechanic. Despite the shopworn noir imagery and teenage notions of sex, this beautifully structured (if rigorously nonhumanist) explosion of expressionist effects has a psychological coherence that goes well beyond logical story lines, and Lynch turns it into an exhilarating roller-coaster ride. With Robert Blake (as Arquette's eerie doppelganger), Gary Busey, Lucy Butler, Robert Loggia, Jack Nance, and Richard Pryor in a somewhat out-of-kilter cameo.
Jonathan Rosenbaum
It's questionable how much Barry Gifford has benefited the work of David Lynch—either in furnishing the source material for Wild at Heart or in collaborating on this even more noir-heavy script—but this 1996 feature was Lynch's most audacious break from conventional narrative since Eraserhead. The enigmatic plot, shaped like a Möbius strip, concerns a jazz musician (Bill Pullman) who inexplicably changes into a much younger garage mechanic (Balthazar Getty) after possibly killing his wife (Patricia Arquette). The wife seems to have been reincarnated as a gangster's girlfriend (Arquette again), who pursues the mechanic. Despite the shopworn noir imagery and teenage notions of sex, this beautifully structured (if rigorously nonhumanist) explosion of expressionist effects has a psychological coherence that goes well beyond logical story lines, and Lynch turns it into an exhilarating roller-coaster ride. With Robert Blake (as Arquette's eerie doppelganger), Gary Busey, Lucy Butler, Robert Loggia, Jack Nance, and Richard Pryor in a somewhat out-of-kilter cameo.
Jonathan Rosenbaum
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