This Martin Scorsese classic will be screening from a 35mm print, and is part of the director's retrospective. You can find full details of the season here.
Chicago Reader review:
Martin Scorsese put all the city dweller's irrational, guilty fears into this 1976 story of a New York taxi driver (Robert De Niro) on a one-man rampage against the "scum"—pimps, whores, muggers, junkies, and politicians. Scorsese's style is a delirious, full-color successor to expressionism, in which the cityscape becomes the twisted projection of the protagonist's mind. Paul Schrader's screenplay, with its buried themes of sin and redemption, borrows heavily from Robert Bresson's Pickpocket, yet the purloined material is transformed in startling, disturbing ways. It would be hard to imagine an American film more squarely in the European “art” tradition than this, yet it was misunderstood enough to become a significant popular success—a thinking man's Death Wish.
Dave Kehr
Here (and above) is the trailer.
Chicago Reader review:
Martin Scorsese put all the city dweller's irrational, guilty fears into this 1976 story of a New York taxi driver (Robert De Niro) on a one-man rampage against the "scum"—pimps, whores, muggers, junkies, and politicians. Scorsese's style is a delirious, full-color successor to expressionism, in which the cityscape becomes the twisted projection of the protagonist's mind. Paul Schrader's screenplay, with its buried themes of sin and redemption, borrows heavily from Robert Bresson's Pickpocket, yet the purloined material is transformed in startling, disturbing ways. It would be hard to imagine an American film more squarely in the European “art” tradition than this, yet it was misunderstood enough to become a significant popular success—a thinking man's Death Wish.
Dave Kehr
Here (and above) is the trailer.
No comments:
Post a Comment