Capital Celluloid 2019 - Day 238: Mon Aug 26

Veronika Voss (Fassbinder, 1982): Close-Up Cinema, 8.15pm


Close-Up Cinema are presenting a month long programme of trilogies and triptychs, featuring films by Kenji Mizoguchi, Federico Fellini, Satyajit Ray, Michelangelo Antonioni, Rainer Werner FassbinderKrzysztof Kieślowski, David Lynch, and Miguel Gomes. Full details here.


Little White Lies review:
This is representative of Fassbinder’s astounding “BDR trilogy”, made right at the tail end of his career (including 1979’s The Marriage of Maria Braun and 1981’s Lola). Veronika Voss, his penultimate film, appears to foretell his own demise as it follows a sports journalist who begins to snoop into the life of a mysterious cabaret singer (Rosel Zech) who once performed for the Nazis and even, allegedly, got physical with Goebbels. This is like Fassbinder’s twist on Billy Wilder’s Sunset Blvd, but instead of focusing on a laughable grotesque, it’s about a glamorous ghost attempting and failing to live a frazzled duel existence. The glistening black-and-white photography lends this deeply sombre tale a nostalgic visual counterpoint – like its tragic heroine, its trapped and torn between changing times.

David Jenkins

This review is from a Fassbinder top ten films article in Little White Lies that places this movie at No1 in the director's work. You can read the full piece here. 

Here (and above) is the trailer.

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