Capital Celluloid 2023 — Day 315: Sun Nov 12

The Red Shoes (Powell & Pressburger, 1948): BFI Southbank, NFT1, 3.30pm

This 35mm screening is part of the Michael Powell and Emeric Pressburger season at BFI Southbank.

Two things fascinate me about this great film: firstly, no one mentions that it could all be the feverish dream of one of the central characters; see if you can spot the key moment I mean. Secondly, the character of Lermontov, superbly played by Anton Walbrook, who is one of Powell & Pressburger's greatest creations. Enjoy. Here are extracts featuring the aformentioned Lermontov.

Chicago Reader review:
Michael Powell and Emeric Pressburger's Trilby-based ballet film (1948, 133 min.) has been the cult property of dance freaks for far too long. A look beneath its lushly romantic surface reveals a dark, complex sensibility, and that surface, rendered in the somber tones of British Technicolor, reflects a fantastically rich cinematic inventiveness. Moira Shearer is the ballerina who, following the outlines of a Hans Christian Andersen tale, trades her life for her art; Anton Walbrook, as her impresario, is perhaps the most forceful embodiment of the shaman figures–magical, outsized, sinister–who haunt Powell and Pressburger's work. The Red Shoes remains the best known of Powell and Pressburger's 18 features, yet it's only the tip of the iceberg–beneath it lies the most commanding body of work in the British cinema. 
Dave Kehr

Here (and above) is the trailer.

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