Capital Celluloid 2025 — Day 47: Mon Feb 17

Personal Best (Towne, 1982): BFI Southbank, NFT1, 6pm


This is a 35mm presentation from the excellent Lost Reels, an organisation dedicated to showing lost, unavailable and out-of-circulation films.

Lost Reels introduction:
This rarely screened coming-of-age drama follows the tempestuous relationship between Mariel Hemingway’s college hurdler Chris and Patrice Donnelly’s Olympian pentathlete Tory, as they first become lovers and then competitors during the 1980 US Olympic trials. This tender, poetic film explores the dynamics of sporting alliances, the rigours of training, sexual fluidity, and what it means to compete. A clear influence on last year’s Challengers.

Chicago Reader review:
Robert Towne, the acclaimed screenwriter of Shampoo and Chinatown, turned to directing with this 1982 drama (from his own script) about the love affair between two female athletes (Mariel Hemingway and Patrice Donnelly). Though the gay theme is given much greater erotic force than in Arthur Hiller’s movie of the same year, Making Love, it is also used as a metaphor for what Towne sees as the innate narcissism of the athlete, the love of one’s own body as reflected in another. The characters have a fullness and vitality rare in American films of that period. With Scott Glenn as a flinty coach, making the most of a part that is an actor’s dream.
Dave Kehr

Here (and above) is the trailer.

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