Peeping Tom (Powell, 1960): BFI Sothbank, NFT1, 12.30pm
67th LONDON FILM FESTIVAL (4th - 15th October 2023) DAY 4
With its date at the end of the year, London is a "festival of festivals", as the new Telegraph film critic Robbie Collin put it in one of his previews,
so the films shown have mostly been seen and commented on by critics
who have watched the features at such high-profile festivals as Cannes,
Venice, Toronto, Sundance and Berlin.
So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the
reviews of the contemporary releases and talked to and listened to the trusted critics all year and I
am as confident as I can be that this is the pick of the movies within
the parameters I have set. Firstly, there's no point highlighting the
major gala films - they will be sold out quickly. Secondly, there is
little to be gained in paying the higher Festival ticket prices to see
films that are out in Britain soon. I will be returning to the London
Festival films worthy of seeing and set to be released in the coming
months on this blog as and when they get a general release in London.
Every
day (from October 4th to October 15th) I will be selecting the London Film
Festival choices you have a chance to get tickets for and the movies you
are unlikely to see in London very soon unless you go to see them at
the Festival. Here is
the LFF's main website for the general information you need. Don't
worry if some of the recommended films are sold out by the time you read
this as there are always some tickets on offer which go on sale 30
minutes before each screening.
This film also screens on October 14th at BFI Southbank. Details here.
Chicago reader review:
Michael Powell's suppressed masterpiece, made in 1960 but sparsely shown
in the U.S. with its ferocity and compassion intact. The German actor
Carl Boehm plays a shy, sensitive British boy (Powell doesn't try to
cover his accent, which is typical of the film's deliberate sacrifice of
realism for effect) who loves movies with all his heart and soul
because he knows what they're
really
about—sex and death. This seductive, brightly colored thriller isn't
about the “problem” of voyeurism as much as the sub-rosa fascinations of
the cinema. It's an understanding and at times even celebratory
film—attitudes that scandalized critics years ago and are still pretty
potent today. The uniformly excellent cast includes Anna Massey, Moira
Shearer (the ballerina of Powell's The Red Shoes), and Maxine Audley
Dave Kehr
Here (and above) is the excellent trailer.
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