Capital Celluloid 2026 — Day 283: Sun Oct 11

La Gradiva (Atlan, 2026): BFI Southbank, NFT3, 3.05pm

70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 5

With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews, so the films shown have mostly been seen and commented on by critics who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.

So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the reviews of the contemporary releases and talked to and listened to the trusted critics all year and I am as confident as I can be that this is the pick of the movies within the parameters I have set. Firstly, there's no point highlighting the major gala films - they will be sold out quickly. Secondly, there is little to be gained in paying the higher Festival ticket prices to see films that are out in Britain soon. I will be returning to the London Festival films worthy of seeing and set to be released in the coming months on this blog as and when they get a general release in London.

Here then (from October 7th to October 18th) are the films you are likely to be able to get tickets for and the movies you are unlikely to see in London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't worry if some of the recommended films are sold out as there are always some tickets on offer which go on sale 30 minutes before each screening. Here is the information you need to get those standby tickets.

This film is also screened at Curzon Soho on Friday October 9th. Full details here.

BFI introduction: 
Toni, James, Suzanne and their classmates travel to Naples with their Latin teacher. Raw emotions, desire and power dynamics collide against the backdrop of a city with a history stretching back thousands of years. Joyous and tragic in equal measures, cinematographer Marine Atlan’s impressive first feature vividly captures the spirit and the drama of youth, and revels in the intoxicating aura of an ancient metropolis.
Laure Bonville

Here (and above) is an extract.

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