Clarissa (Arie and Chuko Esiri, 2026): Vue West End Epic 1
70th LONDON FILM FESTIVAL (7th - 18th October 2026) DAY 6With its date at the end of the year, London is a "festival of festivals", as the Telegraph film critic Robbie Collin put it in one of his previews,
so the films shown have mostly been seen and commented on by critics
who have watched the features at such high-profile festivals as Cannes, Venice, Toronto, Sundance and Berlin.
So I'm making it simple with one recommendation a day. I will be concentrating on the repertory choices but I've also read the
reviews of the contemporary releases and talked to and listened to the trusted critics all year and I
am as confident as I can be that this is the pick of the movies within
the parameters I have set. Firstly, there's no point highlighting the
major gala films - they will be sold out quickly. Secondly, there is
little to be gained in paying the higher Festival ticket prices to see
films that are out in Britain soon. I will be returning to the London
Festival films worthy of seeing and set to be released in the coming
months on this blog as and when they get a general release in London.
Here then (from October 7th to October 18th) are the films you are likely
to be able to get tickets for and the movies you are unlikely to see in
London very soon unless you go the Festival. Here is the LFF's main website for the general information you need. Don't
worry if some of the recommended films are sold out as there are always
some tickets on offer which go on sale 30 minutes before each
screening. Here is the information you need to get those standby tickets.
BFI introduction:
It’s the day of Clarissa’s garden party. Just as she’s set to reunite
with old friends, she finds herself reflecting on a summer that shaped
the course of their lives. Virginia Woolf’s beloved novel is the
jumping-off point for this rich and captivating look at class and gender
in contemporary Nigerian society.
Grace Barber-Plentie
Here (and above) is the trailer.
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