The Kennington Bioscope is a regular cinema event featuring live accompaniment to silent films that takes place at the Cinema Museum. The main feature tonight is The Extra Girl (1923), a comedy starring Mabel Normand, directed by F. Richard Jones and produced by Mack Sennett. This screening will be from a 16mm print, and will be introduced by Kevin Brownlow. A programme of silent shorts precedes the main film.
Cinema Museum introduction:
Given the status of Mabel Normand as the leading comedienne of the silent screen, her feature-length films are frustratingly hard to obtain. There are plenty of early shorts from Vitagraph, Biograph and, especially, Keystone, as well as the Hal Roach films from the end of her career (1927’s Should Men Walk Home has previously been screened at Kennington Bioscope); of her starring features, few are known to remain. Mickey (1918) survives and dates from the end of her early relationship with Mack Sennett. Most of her subsequent films at Goldwyn are missing. Sennett, convinced that he alone could provide appropriate vehicles for Normand, made repeated efforts to lure her back and secured a loan-out from Goldwyn for Molly O’ (1922), which seems presently to circulate only in a Russian-language print. Their final film together – The Extra Girl (1923) – is, fortunately, available for us to screen in a good (English!) copy. F. Richard Jones – Normand’s favourite director – brings out the best of her talents in this tale of a small-town girl with aspirations to be a movie actress.
Here (and above) is an extract.
Cinema Museum introduction:
Given the status of Mabel Normand as the leading comedienne of the silent screen, her feature-length films are frustratingly hard to obtain. There are plenty of early shorts from Vitagraph, Biograph and, especially, Keystone, as well as the Hal Roach films from the end of her career (1927’s Should Men Walk Home has previously been screened at Kennington Bioscope); of her starring features, few are known to remain. Mickey (1918) survives and dates from the end of her early relationship with Mack Sennett. Most of her subsequent films at Goldwyn are missing. Sennett, convinced that he alone could provide appropriate vehicles for Normand, made repeated efforts to lure her back and secured a loan-out from Goldwyn for Molly O’ (1922), which seems presently to circulate only in a Russian-language print. Their final film together – The Extra Girl (1923) – is, fortunately, available for us to screen in a good (English!) copy. F. Richard Jones – Normand’s favourite director – brings out the best of her talents in this tale of a small-town girl with aspirations to be a movie actress.
Here (and above) is an extract.
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